Ferrofish RemoteFish App Supports Remote Operation Via Dante Connection
The new V3.0 firmware for the A32 Dante and Pulse 16 DX allows the app to support remote-over-Dante.
Ferrofish has announced its RemoteFish App, which supports all versions of its A32 and Pulse 16 audio converters, now supports remote-over-Dante, Catalina, Big Sur and M1 compatibility mode.
Together with the new V3.0 firmwares for Ferrofish’s A32 and Pulse 16 models, the free RemoteFish App supports remote operation via Dante, eliminating the need for MIDI or USB cable connection.
Additionally, Ferrofish has added support for Big Sur and Catalina on Intel and M1 machines.
“This new update will allow Dante users the ability to seamlessly and remotely control their Ferrofish device from any computer on the Dante network, adding to the long list of benefits Ferrofish provides audio engineers,” said Marie Sorenson, Marketing Manager for Synthax US, distributor of Ferrofish.
The RemoteFish software expands on the already impressive control of Ferrofish’s A32 and Pulse 16 series of converters by allowing a range of control directly from any PC or Mac. RemoteFish allows users to control every aspect of the Pulse 16 series of converters, including the I/O levels, routing as well as saving and recalling presets. Because presets are saved to the device, not a computer, it’s possible to configure the unit easily on a computer and recall it when needed again without RemoteFish.
Improving the ease of use, multiple units can also be used together from the within the same software window, with each unit easily identifiable via the serial number on the left-hand side of the user interface.
You might also like...
Designing IP Broadcast Systems - The Book
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…
Designing An LED Wall Display For Virtual Production - Part 2
We conclude our discussion of how the LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in…
Microphones: Part 2 - Design Principles
Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.