Italy’s Mediaset Transitions To IP With SSL System T Platforms

Mediaset has taken delivery of eight Solid State Logic System T networked broadcast production platforms comprising S500 control surfaces in a variety of frame sizes from 32 to 64 faders, all powered by SSL Tempest T80 engines, and has started installing them in its studios and OB trucks.

All of the installed System T consoles are being used to broadcast live entertainment, talk shows and other entertainment from Mediaset’s studios and external venues. Mediaset has two broadcast centres in Rome and a third in Milan. To date, two System T S500 consoles have been installed in Mediaset’s studios and four S500 mobile control surfaces in a pair of OB trucks. The remaining two S500 systems are scheduled to be installed later this year in a building currently under construction.

According to Giovanni Blasi, head of Milan-based Cablateam Srl, SSL’s reseller in Italy, “For the time being, all of the studio consoles are operating in standalone mode. But by the end of 2021, all three Mediaset broadcast centres will be networked and the System T consoles will be able to work together as if they are all in the same place.”

Cablateam also supplied extensive SSL I/O options with the consoles, including SB 8.8, SDI IF, D64 AES I/O, A 16.D16 and MADI bridge units, as well as third-party interfaces from Focusrite and Ferrofish, that will enable the System T platforms to be networked with the broadcast plant and each other via Dante. Already, Blasi says, the installed S500 systems can access the cameras, recorders, intercoms and telephone system that are on the studio IP network.

Blasi reports that Mediaset’s broadcast engineers love the operational flexibility of SSL’s System T console. “They particularly like the Query function for fast access to a restricted number of channels, Automix on every channel and the flexible mix-minus functionality,” he says. “All of the engineers are amazed by the sound quality. They say that the EQ and dynamics are the best they have used and sound like analogue.”

The engineers also enjoy the ability to make channel strip and channel configurations changes without the need to restart the system, System T’s internal FX rack, event control and the configurable meter bridge, Blasi also reports, and the presets help them with fast recall of frequently used setups. “Once they got familiar with all the operating features they found System T very easy to use. They can do things which were nearly impossible to do with other console without very heavy routing processes,” he says. 

You might also like...

Phil Rhodes Image Capture NAB 2025 Show Floor Report

Our resident image capture expert Phil Rhodes offers up his own personal impressions of the technology he encountered walking the halls at the 2025 NAB Show.

Microphones: Part 9 - The Science Of Stereo Capture & Reproduction

Here we look at the science of using a matched pair of microphones positioned as a coincident pair to capture stereo sound images.

Monitoring & Compliance In Broadcast: Monitoring Cloud Networks

Networks, by their very definition are dispersed. But some are more dispersed than others, especially when we look at the challenges multi-site and remote teams face.

Audio At NAB 2025

Key audio themes at NAB 2025 remain persistently familiar – remote workflows, distributed teams, and ultra-efficiency… and of course AI. These themes have been around for a long time now but the audio community always seems to find very new ways of del…

Production Control Room Tools At NAB 2025

We return to the high pressure world of the Production Control Room where Switchers, Replay and Graphics are always at the heart of the action. The 2025 NAB Show will bring a myriad of new feature releases and opportunities for hands-on…