Steady Rest Gives A Leg Up To Matthews Slider

A favorite of camera operators, sound techs and grips alike, Matthews’ Sliders feature solid construction, modular versatility, and ultra-smooth and silent moves. Proprietary oversized roller wheels offer silky motion regardless of load or speed. Add to that, intuitive, two-screw adjustability and do-it-yourself field servicing and you’ve got a trusted set essential since 2014. Now MSE Grip offers Matthews Sliders along with a new accessory—the Steady Rest.

Regardless of size: 29", 35", 45" or 70", Matthews Sliders deliver more than smooth camera movement to virtually any gearhead/fluidhead camera combination. They also add stability in otherwise challenging lock-off positions, like getting the camera over a ledge or windowsill without equipment damage or harming talent below. To extend reach, they provide offset mounting for the included rotating Mitchell swivel base that’s useful for tabletop, car interiors and other situations. Because you never know which way is up in a shot, the flexible Slider may be positioned standard upright or inverted for low-angles or when operating a Lambda head. It can even support more than one carriage (175-lbs/80kg) at a time for A and B camera shots.

To help accommodate weight offsets, Matthews introduces the Steady Rest. It is a double-riser telescoping pole featuring a rugged crutch tip on the bottom and Matthews 5/8” Baby Pin on the top for simple attachment. With a 90-lb/40 kg load capacity, it’s the ideal way to distribute the weight and prevent sag when supporting a hefty camera rig on the far end of the Slider. The Baby Ball Head adapter makes for easy rigging on the bottom of the Slider. Steady Rest is also useful for Steadicam and other stabilizers because it makes a handy back-saving support between shots.

The Slider package includes Mitchell swivel base, carriage, and 2" riser, in addition to leveling legs, extra 3/8-16" screws and hardware. The Slider and Steady Rest are available through the company’s worldwide dealer network. 

You might also like...

Deep Learning Accelerates Object Tracking In TV Production

Advances in application motion tracking in audiovisual production, both live and recorded, have been slow until recently accelerated by the advent of modern AI techniques associated with neural network based deep learning and mathematical graph theory. These advances have converged…

The Creative Challenges Of HDR-SDR Simulcast

HDR can make choices easier - or harder - at every stage of production but the biggest challenge may be just how subjective those choices are.

A New Year Speculation On Immersion

As we head into another new year it seems ok to indulge in some obvious speculation about what the future may bring. Here we consider the proposition that eventually, and probably not far into the future, broadcasters will have to…

Microphones: Part 4 - Microphone Technology - The Diaphragm

Most microphones need a diaphragm in order to follow some aspect of the air motion that carries the sound.

HDR & WCG For Broadcast: Part 3 - Achieving Simultaneous HDR-SDR Workflows

Welcome to Part 3 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 3 discusses the creative challenges of HDR…