All The Ways ​Studio Berlin Uses AJA FS-HDR

Studio Berlin use AJA’s FS-HDR real-time HDR/WCG converter for content from live sporting events like Bundesliga matches to entertainment programs such as “Joko and Klaas against Pro7” and “Late Night”.

Depending on the project, the Studio Berlin team can either be found out in the field with one of its five OB vans or a custom fly pack, or in one of its studios in Berlin, Cologne or Munich.

“Every project is a learning experience, and with each one, we’re able to raise the bar in terms of what’s visually achievable,” said Matthias Alexandru, CTO, Studio Berlin. “For most UltraHD HDR broadcasts, we’re starting with previously shot HD or even SD SDR content, so we lean heavily on AJA’s FS-HDR real-time HDR/WCG converter. FS-HDR provides diverse settings that allow us to adapt to whatever source material we’re working with to ensure that we can always achieve the desired output. It also helps us implement the various formats required at the end of the production chain.”

Studio Berlin leverages the FS-HDR in a number of ways, such as to broadcast live HDR content to Astra's UltraHD channel, and in parallel, convert and map the production in HD SDR for distribution to other channels.

Alexandru added, “Because we convert the UltraHD HDR product into HD SDR via the AJA FS-HDR, rather than run parallel Ultra HD HDR and HD SDR productions, our customers can deliver captivating images in both formats, without the time, equipment and personnel costs that parallel production would incur.”

For ‘Europakonzert’, a live classical concert from the Philharmonie in Berlin that Studio Berlin broadcast in May, camera signals were recorded individually in UltraHD SDR, with FS-HDR powering up-conversion to provide the editorial team with the highest quality source material for post-production.

“FS-HDR has become a standard for mapping, among other HDR production demands. It provides a broad range of functionality, an intuitive user interface, and unmatched reliability; the sheer flexibility it provides was a key factor in our decision to use it,” Alexandru explained. “AJA also continues to release new firmware updates that make the technology that much more robust and our jobs that much easier. The fact that we have five of the units speaks volumes.”

You might also like...

Building Software Defined Infrastructure: Part 2 - Processing & Streaming Media Essence

Welcome to Part 2 of Building Software Defined Infrastructure - a new multi-part content collection from Tony Orme. This series is for broadcast engineering & IT teams seeking to deepen their technical understanding of the microservices based IT technologies that are…

IP Security For Broadcasters: Part 12 - Zero Trust

As users working from home are no longer limited to their working environment by the concept of a physical location, and infrastructures are moving more and more to the cloud-hybrid approach, the outdated concept of perimeter security is moving aside…

Disruptive Future Technologies For HDR & WCG

Consumer demands and innovations in display technology might change things for the future but it is standardization which perhaps holds the most potential for benefit to broadcasters.

Essential Guide: Building Hybrid IP Systems

This Essential Guide brings together insight from four seasoned professionals who design, build and configure broadcast infrastructure at Systems Integrators in the USA and Europe. Our contributors here are from Aret, Broadcast Solutions and CP Communications and they are all…

IP Security For Broadcasters: Part 11 - EBU R143 Security Recommendations

EBU R143 formalizes security practices for both broadcasters and vendors. This comprehensive list should be at the forefront of every broadcaster’s and vendor’s thoughts when designing and implementing IP media facilities.