Mórbido TV Expands Content Distribution With Veset Nimbus
Mórbido TV has chosen Veset Nimbus, the professional cloud playout SaaS from Veset, to distribute its linear channel to multiple destinations in Latin America.
Launched in Mexico in January 2018 by IB Broadcasting Company SAPI de CV as a Pay TV channel, Mórbido TV caters to a growing audience of horror fans across Latin America. Delivering genre-specific content 24 hours a day, 7 days a week, Mórbido TV required a reliable, flexible and affordable linear channel management system to support its expansion. Morbido delivers to a wide range of distribution from its own web app to platforms such as Altice, Totalplay, Entel, Mi Internet and VEAS satellite uplink.
Using Veset’s fully cloud-based architecture system, Nimbus, the system was deployed, tested and connected to multiple distribution points in just two months from initial conversation. Veset Nimbus is an enterprise grade cloud playout solution which includes a complete linear broadcast channel and playout workflow leveraging AWS cloud resources. Users of the platform can operate the channel using Veset’s web application from anywhere in the world.
Eduardo Caso, Managing Director, Mórbido TV, commented: “The horror genre is rising in popularity. With global content production growing year on year, Mórbido TV wants to showcase as much of this content to as many viewers as we can. Working with the team at Veset has enabled us to expand our offering to more fans via our distributors in a truly short time. As well as the cost benefits, Veset Nimbus is going to give us the opportunity to reach a wider demographic.”
Igor Krol, CEO, Veset, added: “As the demand for high-quality content continues to rise across Latin America, providers are increasingly looking for cost-efficient solutions to deliver their channels to consumers across multiple distribution platforms. By integrating our Veset Nimbus architecture, Mórbido TV is able to deliver quality, scalable content to its consumers without any unmanageable costs. Working with Mórbido TV marks our expansion into this exciting market.”
You might also like...
Designing IP Broadcast Systems - The Book
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Operating Systems Climb Competitive Agenda For TV Makers
TV makers have adopted different approaches to the OS, some developing their own, while others adopt a platform such as Google TV or Amazon Fire TV. But all rely increasingly on the OS for competitive differentiation of the UI, navigation,…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
Broadcasters Seek Deeper Integration Between Streaming And Linear
Many broadcasters have been revising their streaming strategies with some significant differences, especially between Europe with its stronger tilt towards the internet and North America where ATSC 3.0 is designed to sustain hybrid broadcast/broadband delivery.