Core Insights: Improving Headset Comms At Extreme Events

May 5th 2021 - 09:30 AM
Tony Orme, Editor, The Broadcast Bridge

Without intercom, a live broadcast production would soon degenerate into chaos. A whole industry has been built on the protocols intercom users have adopted and everybody involved in the production must be able to hear the director’s instructions, clearly and concisely.

Working in extreme events opens a whole multitude of challenges for members of the crew listening to the intercom. Car racing, rock concerts and large arena sports events are some of the occasions where background noise can make the intercom difficult to hear.

Noise cancelling headsets go some way to providing better audio separation, but this is only part of the story as we must consider ergonomics and comfort so crew members can focus on shooting the best pictures possible and record the highest quality sound.

This Core Insight, sponsored by Bose, discusses how headset technology has advanced to provide a complete solution for intercom operation in extreme events.

Download this Core Insight today if you need to learn about improving intercom communication clarity in large scale extreme events. 

This Core Insight has been produced for operators, engineers, their managers, and anybody looking to improve their intercom in noisy and hostile environments.

Supported by

You might also like...

Expanding Display Capabilities And The Quest For HDR & WCG

Broadcast image production is intrinsically linked to consumer displays and their capacity to reproduce High Dynamic Range and a Wide Color Gamut.

NDI For Broadcast: Part 2 – The NDI Tool Kit

This second part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to exploring the NDI Tools and what they now offer broadcasters.

HDR & WCG For Broadcast: Part 2 - The Production Challenges Of HDR & WCG

Welcome to Part 2 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 2 discusses expanding display capabilities and…

Great Things Happen When We Learn To Work Together

Why doesn’t everything “just work together”? And how much better would it be if it did? This is an in-depth look at the issues around why production and broadcast systems typically don’t work together and how we can change …

Microphones: Part 1 - Basic Principles

This 11 part series by John Watkinson looks at the scientific theory of microphone design and use, to create a technical reference resource for professional broadcast audio engineers. It begins with the basic principles of what a microphone is and does.