Phoebe Fraser Ltd Invests In Leader LV5350 4K/12G-SDI Waveform Monitor
Leader LV5350 front panel.
Phoebe Fraser Ltd, a specialist provider of production support services for film, television and radio, has invested in a Leader LV5350 waveform monitor. Its first project will be the upcoming film Matilda, based on the novel by Roald Dahl.
"Leader test equipment has proved versatile, logical to operate and reliable over many years," comments Phoebe Fraser. "The new LV5350 provides a complete set of reference tools for TV and digital film programme creation and post-production. Portability is essential for many of the projects we work on so the LV5350's compactness and ability to work under battery or mains power are important. Leader's CINEZONE and CINELITE features are particularly useful, allowing camera settings to be checked between scenes and monitored during the actual shoot. The front panel video monitor gives us the ability to compare specific elements – luma waveform or chroma vectors for example – in freeform multiscreen mode. If something needs special attention, we can select the relevant single-display view for close-up inspection. Almost every feature is accessible quickly and easily from the front panel. We also have the option of adding extra software or hardware modules as or when needed to handle new standards such as ultra high definition, high dynamic range and wide colour gamut."
"The LV5350 is designed for use in 4K/HD/SD-SDI environments which do not require IP measurement capabilities," details Leader Europe Managing Director Koichi Fukagawa. "It supports all the SDI facilities of Leader's top-of-the-range LV5600 minus the IP measurement capabilities which are currently a minority requirement. The LV5350 has proved especially popular with DITs and camera crews. A key feature is its ability to display two sources simultaneously, allowing side-by-side comparison of the output from two cameras, for example, during initial alignment."
The LV5350 incorporates a wide range of engineering-related features including test pattern generation, closed caption monitoring, CIE colour chart, high dynamic range measurement, focus assist, customisable screen layout, tally interface, 4K/UHD operation and 12G-SDI interfaces. These are supplemented by the intuitive CINEZONE and CINELITE toolsets which are familiar to many camera crews, editors and colourists. A focus detection algorithm allows the instruments to sense edges across a very wide range of image contrast levels. All features are accessible from the front control panel augmented by a 1920 x 1080 resolution 7 inch touchscreen TFT LCD monitor.
You might also like...
Designing IP Broadcast Systems - The Book
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Operating Systems Climb Competitive Agenda For TV Makers
TV makers have adopted different approaches to the OS, some developing their own, while others adopt a platform such as Google TV or Amazon Fire TV. But all rely increasingly on the OS for competitive differentiation of the UI, navigation,…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
Broadcasters Seek Deeper Integration Between Streaming And Linear
Many broadcasters have been revising their streaming strategies with some significant differences, especially between Europe with its stronger tilt towards the internet and North America where ATSC 3.0 is designed to sustain hybrid broadcast/broadband delivery.