PrimeTime Spotlights LEDs For Studios

During the pandemic PrimeTime Lighting Systems introduced a Remote Lighting Kit which includes two MSLED 5-S luminaires designed specifically for remote studio applications.

The kit can be used for remote newscasts, streaming videos, Zoom or GoToMeetings, podcasts or home streaming.

“We’ve developed commercial-grade LEDs to quietly and efficiently illuminate broadcast studios and we continue to upgrade our lights,” said Glen Harn, CEO. “PrimeTime has been recognized for twenty-five years for engineering at the highest standards. Foreign LED light competitors are engineered with fans and given lesser term warranties.

The firm’s SLED range consists of five models including the low-profile MSLEDs. With new and improved Lambertian distribution, the ‘SLEDs’ have incredible throw for a soft, even light with a single soft shadow. With the increased softness, the light continues to be the primary choice for many lighting directors.

The GUS 51 LED Fresnel has a super-wide focus range adjustable from a tight 11° beam angle at full spot to a wide 80° field angle at full flood. Its high-quality Micro-Fresnel lens systems with advanced optics result in the most even wash of light likely to be found in any LED Fresnel, with less than 2.8% decrease in brightness from center to outer edge.

Harn added, “our LED lights are engineered without fans in the US for the professional studio, built in Texas and backed by a 5-year warranty.”

You might also like...

Designing IP Broadcast Systems - The Book

Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…

Demands On Production With HDR & WCG

The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.

NDI For Broadcast: Part 3 – Bridging The Gap

This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…

Designing An LED Wall Display For Virtual Production - Part 2

We conclude our discussion of how the LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in…

Microphones: Part 2 - Design Principles

Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.