Gorilla Group Chooses MTI Film Cortex
MTI Film Cortex in Gorilla's new 4K HDR mastering suite.
Cardiff-based film and video post production house Gorilla has chosen an MTI Film Cortex Enterprise mastering and validation system for a new 4K HDR mastering suite at its recently expanded GloWorks facility.
Supplied by MTI Film distribution partner Big Pic Media, the Cortex forms part of Gorilla's investment in new 4K HDR technology.
“Cortex Enterprise gives us all the tools we need to take our creative department's work and produce perfect masters to the very specific requirements of the SVOD and broadcast channels for 4K and HDR content”, says Gorilla Group MD Richard Moss. “We use it to package the image and audio content and ensure we provide the necessary metadata in ancillary files to conform to the specific needs of the studio or broadcaster. What our operators like about Cortex is that the user interface is based on an NLE timeline and has a very logical step-by-step process to ensure nothing is missed. It also has templates for nearly every studio or broadcaster we supply, making our work much more efficient and accurate.
“A unique feature of Cortex is dead pixel detection and correction. MTI Film has perfected these algorithms over the past 30 years in developing restoration tools, making the process of detecting and fixing dead pixels fast and efficient. Once we have made a package we drop it back into Cortex for validation. Cortex also performs automated checks for HDR levels, HLG, HDR10, Dolby Vision and Dolby Atmos.”
“We worked closely with Gorilla to evaluate Cortex, ensuring it met and exceeded today's requirements,” adds Big Pic Media MD Adam Welsh. "We also demonstrated MTI Film's commitment to keep abreast of evolving requirements and continually develop the product."
You might also like...
IP Security For Broadcasters: Part 1 - Psychology Of Security
As engineers and technologists, it’s easy to become bogged down in the technical solutions that maintain high levels of computer security, but the first port of call in designing any secure system should be to consider the user and t…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
If It Ain’t Broke Still Fix It: Part 2 - Security
The old broadcasting adage: ‘if it ain’t broke don’t fix it’ is no longer relevant and potentially highly dangerous, especially when we consider the security implications of not updating software and operating systems.
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…