RTM’s PerlisFM Goes IP With Calrec Type R For Radio Consoles
_789_592_70_s.jpg)
RTM has undertaken a major upgrade of its regional station, PerlisFM, located in the northern Perlis state.
RTM (Radio Television Malaysia) installs six Type R for Radio consoles to support major regional upgrade to IP infrastructure.
The upgrade, consisting of six Calrec Type R for Radio consoles, is part of a significant move to a modern studio and to implement a new IP audio network infrastructure. The facility is now the reference for all future upgrades to RTM’s other regional stations.
PerlisFM has installed a complete radio system, including a full IP network and visual radio technology, which supports video streaming to social media and other online platforms. Calrec’s native IP Type R for Radio consoles are located in PerlisFM’s main Conty, Standby Conty, Edit (1 & 2), Ingest, News Depot Studios and Master Control Room respectively. At the main Conty Studio, the Type R console is integrated with RCS Zetta Radio Automation Software and Visual Radio’s MultiCAM system. With three PTZ cameras linked to the MultiCAM system plus the combination of Calrec’s Type R and the RCS Zetta software, the visual radio system works seamlessly and flawlessly.
RTM has welcomed the ease of use of the Type R for Radio console. It highlights its motorised fader capabilities and touch screen panels which provide clear, single touch operation by the stations DJs — as well as the high level of customisation, alongside its native IP structure.
Robert Davidson, Regional Sales Manager, Calrec, said, “We are very excited that our technology has been installed as a key part of such an important and bold move. Type R for Radio was designed to support this type of project, so we’re pleased that its simple-to-use and highly configurable interface is helping DJs to do their job in a way that suits them.”
You might also like...
IP Security For Broadcasters: Part 12 - Zero Trust
As users working from home are no longer limited to their working environment by the concept of a physical location, and infrastructures are moving more and more to the cloud-hybrid approach, the outdated concept of perimeter security is moving aside…
Disruptive Future Technologies For HDR & WCG
Consumer demands and innovations in display technology might change things for the future but it is standardization which perhaps holds the most potential for benefit to broadcasters.
Microphones: Part 6 - Omnidirectional Response In Practice
Having looked at how microphones are supposed to work, here we see that what happens in practice isn’t quite the same because the ideal and the actual are somewhat different.
IP Security For Broadcasters: Part 11 - EBU R143 Security Recommendations
EBU R143 formalizes security practices for both broadcasters and vendors. This comprehensive list should be at the forefront of every broadcaster’s and vendor’s thoughts when designing and implementing IP media facilities.
Live Sports Production: The Rise Of Remote Hybrid Workflows
A discussion of the rise of remote production, why OB workflows remain first choice in tier one production and the emergence of new hybrid workflows.