Creative Technology Use Quicklink Studio-in-a-Box
The Creative Technology Bridge.
Creative Technology, owned by NEP, have used Quicklink’s ST500 to help deliver virtual events for their clients.
Recent events the company have delivered utilising the technology include a virtual event for an unnamed company, which ran three simultaneous 90 minute live virtual shows twice over one day in six different languages. CT also pre-recorded videos with multiple contributors, to be streamed across two online events. Quicklink’s secure guest URLs were used to link remote presenters back to the event control rooms, providing high-quality content.
“With the COVID-19 lockdown, we are connecting to people within their homes and there is varying quality to those solutions,” said Steve Purkess, Head of Sport & Broadcast at Creative Technology UK. “We are relying on people’s own electronics like their laptops, cameras, lighting, and their own soft microphone. This is a system that is sent out to people’s homes to replace that and it absolutely elevates the quality of that contribution capture.
“All the people at home have to do is plug the microphone into the box, establish it on their local Wi-Fi and they are ready to go. All of those elements are all controllable from our production hub here at Creative Technology.”
The Quicklink Studio-in-a-Box is described as a portable unit with in-built camera and lighting, that allows CT to manage and control broadcast events quickly, easily and efficiently from any location. The camera, lights and audio can be controlled from any Chrome browser using the Quicklink Manager Portal. The central operator manages the broadcast and can choose both file recording as HD-SDI and live output to air.
You might also like...
Designing IP Broadcast Systems - The Book
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
If It Ain’t Broke Still Fix It: Part 2 - Security
The old broadcasting adage: ‘if it ain’t broke don’t fix it’ is no longer relevant and potentially highly dangerous, especially when we consider the security implications of not updating software and operating systems.
Standards: Part 21 - The MPEG, AES & Other Containers
Here we discuss how raw essence data needs to be serialized so it can be stored in media container files. We also describe the various media container file formats and their evolution.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…