Brightline Upgrades LED Lighting
The lighting grid is daylight balanced (5600K) and features a mix of Brightline L1.2 and L1.4 LED SeriesONE studio fixtures, BL.16 long-throw beam compact fixtures, and Lupo DayLED fresnels.
The first customer is WZVN, an ABC affiliate serving Florida’s Ft. Myers-Naples market which used the lights to launch its new on-air look.
“Brightline has taken WZVN into the DMX world and also the LED world,” said Bob Hannon, senior production engineer for Waterman Broadcasting about WZVN. “The lighting is very consistent; we’re not dealing with color temperature variations across the set. It’s a really nice setup.”
One of the biggest lighting challenges of the new set was the openness of the space, which was designed to accommodate a variety of programming beyond standard newscasts. “What we tried to do was eliminate all risers, all furniture that give you obstacles. The main anchor desk is moveable,” Hannon explained. “This set is made for you to move around and interact with anything.”
Owned by Montclair Communications, WZVN is operated through a local marketing agreement (LMA) by Waterman Broadcasting’s WBBH, the market’s NBC affiliate. The stations are co-located in the same facility, but have separate studios and control rooms. Combined, the stations produce 19 newscasts per day, including competing morning shows from 4:30 to 7 a.m. The WBBH studio is primarily lit by older Brightline fluorescent fixtures.
You might also like...
Designing IP Broadcast Systems - The Book
Designing IP Broadcast Systems is another massive body of research driven work - with over 27,000 words in 18 articles, in a free 84 page eBook. It provides extensive insight into the technology and engineering methodology required to create practical IP based broadcast…
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…
Designing An LED Wall Display For Virtual Production - Part 2
We conclude our discussion of how the LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in…
Microphones: Part 2 - Design Principles
Successful microphones have been built working on a number of different principles. Those ideas will be looked at here.