James Arthur Promo Show With BMD Raw

James Arthur
London creative studio Electric Light Studios has used the Blackmagic URSA Mini Pro 4.6K G2 to create Sigala and James Arthur’s - Lasting Lover music video.
In a change of tone from the original song and video, Electric Light Studios altered the ambience with a shoot at the Rivoli Ballroom in London featuring James Arthur on vocals and guitar, Sigala on piano and complimented by a string orchestra.
Video Director, Andy Morgan, says: "For this acoustic version of ‘Lasting Lover’ I wanted to contrast the high energy, neon exteriors from the main promo with an open, warm, interior setting. The focus here was on musicianship, songwriting, and performance; showcasing talent without filters.”
“For this shoot, we opted to use the URSA Mini Pro G2 as it comfortably suits our needs for a beautifully cinematic image. The camera operated on a Moviola dolly as I wanted constant movement, but in a more restricted and consistent way than could be achieved with a gimbal.”
“We acquired with Blackmagic RAW at 3:1 in constant bitrate. I love the codec as it gives me a lot of options in the grade at a very reasonable data rate, even at the lower end of the compression ratios. We used this same set up on the previous acoustic session I directed for Sigala as well (We Got Love). There we shot with bolder highlights in natural light, here we had to be more concerned for our shadows, however in either case, the camera held up well.”
Once the shoot was complete, the team took the project into grade and discovered inconsistencies throughout due to the range on the anamorphic lenses. Still, they expect these variables when using vintage lenses.
You might also like...
Disruptive Future Technologies For HDR & WCG
Consumer demands and innovations in display technology might change things for the future but it is standardization which perhaps holds the most potential for benefit to broadcasters.
Microphones: Part 6 - Omnidirectional Response In Practice
Having looked at how microphones are supposed to work, here we see that what happens in practice isn’t quite the same because the ideal and the actual are somewhat different.
Live Sports Production: The Rise Of Remote Hybrid Workflows
A discussion of the rise of remote production, why OB workflows remain first choice in tier one production and the emergence of new hybrid workflows.
Automating HDR-SDR Conversion
Automation seems like an obvious solution but effective conversion involves understanding what the image content is and therefore what the priorities are for how it should look.
Live Sports Production: Part 1 - New Sports Production Workflows
Welcome to Part 1 of ‘Live Sports Production’ - This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight i…