AtomOS Shogun 7 Now Enables ProRes RAW From Sony’s FX6
Recording over SDI from the FX6 to the Shogun 7 extends the performance of the Sony FX6 leading by taking 16-bit linear RAW data from its state-of-the-art Exmor R CMOS image sensor and recording it in the flexible and efficient ProRes RAW format.
“Recorded with log 12-bit color depth, corresponding to over 68 billion color graduations. FX6’s standard professional interface of 12G-SDI and SDI RAW output direct from the main camera body allows for a very powerful professional combination when used with the Shogun 7,” explains Jeromy Young, Atomos CEO.
“Content creators and filmmakers also benefit from the storage advantage of ProRes RAW, where the codec harnesses the ability to capture 12-bit RAW in the same file sizes as 10-bit 422 standard ProRes. In addition to their ground-breaking combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW file types – simplifying and accelerating file transfer, media management, and archiving.
Atomos Shogun 7 users can now update their monitor-recorder-switcher with the AtomOS 10.43 update to enable ProRes RAW recording. The FX6 will come readily enabled with SDI RAW output.
You might also like...
A New Year Speculation On Immersion
As we head into another new year it seems ok to indulge in some obvious speculation about what the future may bring. Here we consider the proposition that eventually, and probably not far into the future, broadcasters will have to…
Microphones: Part 4 - Microphone Technology - The Diaphragm
Most microphones need a diaphragm in order to follow some aspect of the air motion that carries the sound.
HDR & WCG For Broadcast: Part 3 - Achieving Simultaneous HDR-SDR Workflows
Welcome to Part 3 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production. Part 3 discusses the creative challenges of HDR…
The Resolution Revolution
We can now capture video in much higher resolutions than we can transmit, distribute and display. But should we?
Microphones: Part 3 - Human Auditory System
To get the best out of a microphone it is important to understand how it differs from the human ear.