
Essential Guide: High Dynamic Range Broadcasting
November 20th 2019 - 01:00 PM
HDR offers unbelievable new opportunities for broadcast television. Not only do we have massively improved dynamic range with the potential of eye-watering contrast ratios, but we also have the opportunity to work with a significantly increased color gamut to deliver vivid and highly saturated colors.
The electronics and technology available during the early design of standard dynamic range television resulted in a highly compromised system. The pictures lacked sparkle in specular reflections due to the limited luminance range, and the color often looked washed out because of the limited color gamut.
Although HDR fixes these limitations, there is much more to achieving stunning video images and an outstanding user experience than just replacing the cameras. Whole workflows must be re-designed, working practices must be re-thought, and attitudes to making video moves to the aesthetic.
This Essential Guide, supported by AJA Video Systems, not only provides a comprehensive view of how HDR works, but through practical application demonstrates how to get the best out of HDR systems.
Download this Essential Guide today if you are an engineer, technician or manager, looking to improve your practical knowledge of HDR. What are the relevant standards? What’s the difference between OETF and EOTF? And what do 1,000 NIT monitors deliver? All these questions, and more, are answered in this Essential Guide.
Creatives and program makers looking to get ahead need to understand the technology to fully stretch HDR and deliver an outstanding and uncompromised viewing experience. HDR workflows now allow us to pull detail out of the shadow and see specular highlights like never before in the history of broadcast television.
Download this Essential Guide today to help you deliver on your creativity.
Supported by
You might also like...
IP Security For Broadcasters: Part 12 - Zero Trust
As users working from home are no longer limited to their working environment by the concept of a physical location, and infrastructures are moving more and more to the cloud-hybrid approach, the outdated concept of perimeter security is moving aside…
IP Security For Broadcasters: Part 11 - EBU R143 Security Recommendations
EBU R143 formalizes security practices for both broadcasters and vendors. This comprehensive list should be at the forefront of every broadcaster’s and vendor’s thoughts when designing and implementing IP media facilities.
IP Security For Broadcasters: Part 10 - NATS Advanced Messaging
As IT and broadcast infrastructures become ever more complex, the need to securely exchange data is becoming more challenging. NATS messaging is designed to simplify collaboration between often diverse software applications.
IP Security For Broadcasters: Part 9 - NMOS Security
NMOS has succeeded in providing interoperability between media devices on IP infrastructures, and there are provisions within the specifications to help maintain system security.
IP Security For Broadcasters: Part 8 - RADIUS Network Access
Maintaining controlled access is critical for any secure network, especially when working with high-value media in broadcast environments.