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New Desktop Software v16.2 for all of AJA System’s KONA, Io, and T-TAP Pro products including the latest macOS support; new OBS Studio compatibility and improved 12-bit, 444, RGB workflows for UHD.
In the previous article in this series, we looked at the advantages of software-KVM and how it differs from some of the VPN solutions available. In this article, we look at further improving security through end-to-end solutions.
Cinedeck has launched CD2, a software-only version of its ingest servers. CD2 shares the same features as the full range of Cinedeck Ingest Servers in a pure software solution.
The Olympic movement can always be relied on to push the broadcasting barrier. Most innovations in its history have been incremental such as the move to color or HD and latterly UHD. Its host broadcast division Olympic Broadcast Services (OBS) is arguably in the midst of the most sweeping set of changes ever in transitioning its entire production fabric to IP and cloud in order to meet the goals of sustainability, flexible production, huge content demands and new formats and immersive presentation. BroadcastBridge examines this including a virtualised OB van project being tested at the Winter Games.
To advertise the launch of the Istanbul Financial Center (IFC), Istanbul production company Autonomy partnered with auto racing’s Formula 1 on a commercial featuring virtual production by MGX Studios using disguise servers.
Avid NEXIS | EDGE empowers video editors to work concurrently on the same video content, sharing metadata and media from anywhere.
When IP was first envisaged back in the 1970s, just over 4 billion unique IP addresses were allocated. However, the overwhelming international adoption of the internet with a world population of nearly 8 billion people has demonstrated there are simply not enough IP addresses to go around.
Pliant Technologies’ CrewCom Digital Wireless Intercom was the clear choice when British Columbia Institute of Technology (BCIT) was looking to replace an outdated wired intercom system.
