Virtual production capabilities are advancing at pace and will also start to become integrated into regular production schedules to reduce production times and costs. What’s more VP is being seen as a way to get productions that have been stifled under Covid restrictions to move quickly into production while physical sound stage capacity is maxxed out. However, questions still linger for content producers; principally around the higher capital cost of VP for early adopters and the urgent need to train and educate the industry in how to work with the technology.
Developed with the help of experts from disguise’s insider groups and battle tested on the world’s biggest shows, disguise’s latest release includes improvements to the disguise software UI, color workflows and overall system performance.
Sony Electronics has launched a new URX-P41D two-channel portable receiver, supporting MI (Multi Interface) shoe with Digital Audio Interface.
In this new series, John Watkinson looks at all aspects of electricity.
For PremiAir Racing D2N has implemented a Kenwood NX3300 handheld solution for interaction between car, engineer, crew and Supercars own production feed for track and car solutions.
As well as providing the core functionality of a computer, operating systems have the potential to be a primary issue for security and keeping hackers at bay.
AJA Video Systems has released v4.0 firmware for its Ki Pro GO multi-channel H.264 recorder, delivering enhanced playback and control functionality to give users more flexibility in the field.
In Part 1 we looked at how TDM provides a compromise to deliver the flexibility and scalability of IP, while at the same time providing the ease of use of SDI. In this article, we look at how TDM deals with latency and frame accurate timing.
