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We’ve encountered media companies along all aspects of migrating their workflows to the cloud. Some with large on-premises media processing capabilities are just beginning to design their path, while others have transformed some of their workflows to be cloud-native, and still, others are all in – meaning all their media files reside in the cloud and are processed there.
Most people are aware that any color can be mixed from red, green and blue light, and we make color pictures out of red, green and blue images. The relationship between modern color imaging and the human visual system was recently discussed by John Watkinson in his series on color. In this piece, we’re going to look at something that comes up often in modern film and TV technique: color gamuts. It’s a term that suffers a lot of misuse, but the basics are simple: a color image uses red, green and blue, and the gamut describes which red, which green, and which blue we’re using.
The famous London facility has rebuilt its historic Studio 4 into a Gold Standard space for immersive mixing, complete with a scalable 9.1.4 monitoring solution based around Genelec’s ‘The Ones’ Smart Active Monitor family.
The 2022 Commonwealth Games will be the biggest sports event on UK shores since London 2012 with around 1.5 billion global audience expected to watch over the 11 day event beginning July 28. Bidding for the host broadcast contract began in summer of 2019 with the award announced for Sunset + Vine in April 2020. Here’s what S+V plan with a special focus on one of its OB partners, Gravity Media.
For the past 15 years, Chris Shepard, chief engineer and owner of American Mobile Studio, has been responsible for the music mixes broadcast over a variety of streaming platforms from some of the biggest festivals in the United States, including Coachella, Stagecoach, Lollapalooza, Bonnaroo and Outside Lands. His intention is simple: “It’s so important for it to sound exciting,” he says.
Visual storytelling technology platform disguise unleashes a new era of infinitely scalable, immersive entertainment with the release of their new flagship media server: the vx 4+.
Intracom Systems has added a series of hardware control panels to its VCOM platform, its IP-software multi-channel / multi-access communications solution. The VCOM hardware control panels are cloud / SasS ready, bringing users unprecedented agility, power, affordability, and ease of deployment for all professional and mission critical applications.
Nobody’s risking much, in 2022, by assuming we’re living through the genesis of virtual production. There are enough high-profile productions happening to lend the technique some legitimacy, and while the surge in both interest and the provision of facilities makes it hard to say how demand and supply are matching up, activity is at fever pitch.