To support a range of broadcast control applications and workflows, TSL will showcase its full suite of Universal Control Panels at IBC 2022.
Our third and final part of this series looks at Quality Control & Compliance, which bring efficiency, confidence, and legal conformance to daily TV station operations.
IP is incredibly versatile. It’s data payload agnostic and multiple transport streams have the capability to transport it over many different types of networks. However, this versatility provides many challenges, especially when sending video and audio over networks.
Focusing on the needs of film and TV productions, DPA is highlighting its 4097 CORE Micro Shotgun Microphone, which can also serve as a boom mic for broadcast applications. Two important mic solutions ideal for televised live event productions, the 4466 CORE Omnidirectional and 4488 CORE Directional Headset Microphones and the 4055 Kick Drum Mic, will also be featured on the show floor.
Glensound will showcase the latest developments in its practical, road-ready systems at IBC 2022. The additional functionality is in response to the continuing demand from users in eSports and live events as well as broadcast.
We continue our series on things to consider when designing broadcast audio systems with the beating heart of all things audio – the mixing console.
TAG Video Systems has announced plans to introduce the European market to an enhanced version of its ground-breaking Media Control System (MCS) at IBC 2022.
Remote Integration Model (REMI) production is more than remote cameras. It’s a new way of thinking and working. This tale of trying to implement a REMI production model within tight financial constraints highlights some of the operational challenges involved.