It was late in 2018 when a major public broadcaster in the UK came to London-based 7FiveFive, a technology solutions provider, with a growth challenge. Their postproduction department had about 75 edit positions throughout the building working off a shared storage SAN and some orchestration for getting media in and out of the system. Files were stored in folders that were getting harder to locate and retrieve.
Here we look at some practical results of transform theory that show up in a large number of audio and visual applications.
Italy’s state broadcaster RAI has upgraded the music studio at its Fabrizio Frizzi television studios in Rome. The project has seen the studio add new 5.1 surround and stereo systems, based around Genelec’s ‘The Ones’ three-way coaxial Smart Active Monitors.
Machine learning is often compared to the human brain. But what do they really have in common?
Combination of the Encoding.com platform with the Telestream Media Framework brings unique advantages to enterprises seeking to harness the benefits of cloud media processing.
We continue our series on Broadcast Audio Systems with a discussion about workflow with multi-award winner Robert Edwards. We look at general purpose workflows, and some considerations for different types of production across news, sports and chat shows. As the degree of complexity and stress ramps up as soon as a live audience is introduced, part two will look at more expansive light entertainment shows which have audiences, multiple presenters, bands and egos.
At IBC 2022, DFT is unveiling the next generation of film scanning, designed to flex and grow as user needs and technology changes over time.
At IBC 2022, Evertz is showcasing its DreamCatcher BRAVO Studio virtual production control suite that gives content creators all the tools they need to create more stories in the Cloud.
