As the wider broadcast industry picks up the pace with virtualized, cloud-native production systems we take a look at what audio vendors currently have available and what may be on the horizon.
FOR-A was founded in Tokyo in October 1971, to develop video processing devices. The name FOR-A is a deliberate echo of the Japanese expression Han’ei, which can be roughly translated as “prosperity with partners/customers”.
Chyron’s PRIME VSAR merges the cutting-edge graphics of Epic Games’ Unreal Engine 4 with Chyron’s built-for-broadcast design, editorial, and live production capabilities to radically simplify virtual production.
One cannot get very far with electricity without the topic of batteries arising. Broadcasters in particular have become heavily dependent on batteries to power portable equipment such as cameras and lights.
For over two decades Telestream has streamlined the ingest, production, and distribution of digital video and audio. Today, compared to its SDI/AES-based predecessors, IP video adds exciting new challenges to these workflows.
swXtch.io joined forces with Evertz at the recent IBC 2022 show to demonstrate how broadcast and video producers can finally harness the power of cloud networks for their most demanding workflows.
Flowics experts were on hand at the recent IBC 2022 exhibition to show broadcasters of all kinds how simple it is to create engaging on-air graphics and interactive content with Flowics and how easily the Flowics platform fits into their workflow.
Riedel has launched the new Audio Monitoring App (AMA) for its 1200 Series SmartPanels. With the AMA — combined with Riedel’s Intercom App and Control Panel App — the RSP-1216HL and RSP-1232HL SmartPanels offer users audio streaming monitoring, intercom, and control capabilities in a single keypanel, saving valuable rack space.
