Harmonic has introduced a new Single Illumination System (SIS) offering to ensure greater interoperability and cost savings for broadcast operators with digital terrestrial television (DTT) and direct-to-home (DTH) services.
The more digital TV technology advances, the more the fundamental elements of TV remain the same.
As the wider broadcast industry picks up the pace with virtualized, cloud-native production systems we take a look at what audio vendors currently have available and what may be on the horizon.
FOR-A was founded in Tokyo in October 1971, to develop video processing devices. The name FOR-A is a deliberate echo of the Japanese expression Han’ei, which can be roughly translated as “prosperity with partners/customers”.
Chyron’s PRIME VSAR merges the cutting-edge graphics of Epic Games’ Unreal Engine 4 with Chyron’s built-for-broadcast design, editorial, and live production capabilities to radically simplify virtual production.
One cannot get very far with electricity without the topic of batteries arising. Broadcasters in particular have become heavily dependent on batteries to power portable equipment such as cameras and lights.
For over two decades Telestream has streamlined the ingest, production, and distribution of digital video and audio. Today, compared to its SDI/AES-based predecessors, IP video adds exciting new challenges to these workflows.
swXtch.io joined forces with Evertz at the recent IBC 2022 show to demonstrate how broadcast and video producers can finally harness the power of cloud networks for their most demanding workflows.
