TSL keeps pace with broadcasters’ changing needs by extending its popular range of MPA1-MIX monitoring units with an ST 2110 and AES67-compliant version.
Fox Sports’ broadcast of the 2022 Baseball World Series was a real eye-opener, and it wasn’t just because the Houston Astros handily defeated the Philadelphia Phillies in six games. After all, for those in the know, the Astros were the heavily favored team so the outcome shouldn’t have been too surprising. But what was surprising and even amazing to many broadcast professionals were the quality of the images from the center-field cameras.
AI, primarily Machine Learning (ML), is driving progress in the evolution of the UI (User Interface) for TV’s and other consumer devices, alongside other aspects of the overall UX (User Experience).
A discussion of how to create reliable, secure, high-bandwidth connectivity between multiple remote locations, your remote production hub, and distributed production teams.
Exciting new types of on-premise and cloud-based feature film and episodic television production and post workflows are now being experimented with and deployed at Amazon Studios’ recently opened virtual production stage, dubbed Stage 15, in Culver City, Calif.
GatesAir continues its TV (and Radio) transmission supremacy.
At one time broadcast television was inseparable from interlace, whereas now things have moved on, but not without interlace leaving a legacy. So what was it all about?
IP is an enabling technology, not just another method of transporting media signals. Consequently, it is giving broadcasters the opportunity to reconsider how we build live television workflows and infrastructures.
