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Spatial audio has become mainstream in gaming because it takes the principles and technology of immersive audio effectively and places the player inside the on-screen action. This series of articles defines the current formats and technologies and asks the obvious question; with such widespread adoption by next generation consumers, what is its potential in broadcast?
Those seeking a studio in Austria for ultra-high-quality recording of classical music inevitably come to the name “tonzauber”, and for good reason.
Most people are aware that words like “gamma” and “gamut” are connected with the way a camera processes brightness and color, respectively. Some modern cameras might easily have half a dozen settings for each, and it’s not always obvious which is best for the circumstances at hand. To be clear up front, it’s not the purpose of this article to prescribe which settings to use in which situations. There’s an infinity of reasons to do various things, that sort of advice would date very quickly.
What once meant broadcasters sharing space inside a building now condenses the concept into a single chassis – with new challenges and opportunities.
Blackmagic Design has announced the all new Cintel Scanner G3 HDR+, which features a completely redesigned light source that allows real time HDR film scanning in Ultra HD.
TAG Video Systems has released a series of upgrades, enhancements and added support to its Realtime Media Monitoring Platform fortifying its position as the perfect monitoring solution for live production environments.
We conclude this two-part article examining how IP is an enabling technology that facilitates the use of data centers and cloud technology to power media workflows.
Designing and building a production control room means different things to different people and is often accomplished in a myriad of ways.
