Blackmagic Design’s URSA Cine 12K LF digital film camera was recently added to the Netflix Approved Camera List.
NMOS has succeeded in providing interoperability between media devices on IP infrastructures, and there are provisions within the specifications to help maintain system security.
The Grande Halle de la Villette (EPPGHV) in Paris has deployed Riedel’s state-of-the-art intercom and signal distribution solutions to enhance its technological capabilities for diverse events ranging from festivals and parties to exhibitions, conferences, and live shows.
Genelec monitors power Germany’s first Atmos OB truck designed for high-end music recording.
Automation seems like an obvious solution but effective conversion involves understanding what the image content is and therefore what the priorities are for how it should look.
Maintaining controlled access is critical for any secure network, especially when working with high-value media in broadcast environments.
Welcome to Part 1 of ‘Live Sports Production’ - This new multi-part series uses a round table style format to explore the technology of live sports production with some of the industry’s leading system designers. It is a fascinating insight into what is being done every day around the world.
Part 1 discusses whether remote, OB or new hybrid workflows are being used for different sports in the US and Europe. It explores the longevity of the composition of the gallery creative team. It also begins to explore what approaches are being taken to production infrastructure design with a discussion of compute processing resource.
The variable directivity microphone is very popular for studio work. What goes on inside is very clever and not widely appreciated.
