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Refraction is a topic that is at the heart of waves of all kinds. It affects the broadcaster in many ways, in lenses, optical fibers and in the way transmissions propagate.
As the adoption of IP for live broadcast production begins to mature, we examine the standards and some of the factors to consider in migration.
Blackmagic Design has announced the Blackmagic Studio Camera 6K Pro, a new more powerful studio camera model that features an EF lens mount, a larger 6K sensor for improved colorimetry and fine detail handling, ND filters and built in live streaming via Ethernet or mobile data.
Organic growth and timely acquisitions help Riedel support customers’ expanding needs.
We talk to Systems Integrator Erik Utter to get his insight into the challenges of production facility and system design, and the right time to go SDI, IP, Cloud or hybrid.
What is real time? While that question doesn’t normally come up at the dinner table, asking it of a group of broadcast engineers can draw out all kinds of responses, from philosophical debates around global atomic clocks to technical dissertations on lines, frames, and permissible nanoseconds of processing delay.
Machine Learning is making an impact across all aspects of video workflow, especially personalization, QC, compliance and moderation.
As a university of applied sciences, HTWK Leipzig in Germany has created a series of new immersive spaces that will give its students an understanding of some of the most advanced production techniques available. To achieve this, the university needed a monitoring solution that would be flexible enough to meet the needs of multiple formats – so turned to Genelec’s ‘The Ones’ series of three-way coaxial monitors.
