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Here we look at reflection and refraction, which figure highly in the cameras and lighting equipment used by broadcasters, to say nothing of the real word in which images are captured.
Although IP and cloud computing may be the new buzz words of the industry, hardware solutions are still very much in demand, especially when taking into consideration software defined architectures. And in addition, a whole new plethora of FPGA based configurable systems are providing flexibility, resilience, and scalability.
Video and audio signals represent synchronous sampled systems that demand high timing accuracy from their distribution and processing infrastructures. Although this has caused many challenges for broadcasters working in traditional hardware systems, the challenges are magnified exponentially when we process video, audio and metadata in software.
Virtual production toolkit GhostFrame powers simplified, more efficient, and more creative workflows for LED Volume and XR stages.
There’s a lot to consider when planning to incorporate uncompressed media into your live production particularly using SMPTE ST 2110, ST 2022-6 or AES67 streams. In this article, we will look at the network hardware, its architecture and future-proofing you should be considering.
New additions to Studer Vista digital mixing consoles and Evertz’ BRAVO Studio virtual production control suite are redefining the creative experience for content creators and broadcasters.
In response to a surge in OB broadcast sessions, Finland’s Soundon has recently added a second OB van to its fleet – equipped with a 5.1 Genelec Smart Active Monitoring System.
The CCU-08 is the latest addition to the CrewCom intercom system and gives users the ability to use up to eight 4-wire ports while retaining all the same features of the existing companion CCU-22 and CCU-44 products.
