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Zixi has announced a partnership with and integration into the Singular.live graphics solution that empowers customers to seamlessly integrate live, customizable graphic overlays into their content with remarkable ease and scalability. The web-based platform eliminates the need for downloads, specialized hardware or intricate coding, making it a highly accessible option for a wide range of enterprises.
TV stations have mostly parked their satellite trucks and ENG vans in favor of mobile bi-directional wireless digital systems such as bonded cellular, wireless, and direct-to-modem wired internet connections. Is Starlink part of the future?
Riedel Communications has announced an expansion of the company’s range of live video production solutions with the release of RiMotion R10. The RiMotion replay series is part of Riedel’s family of software-based products for multicamera production, integrated into its portfolio after the acquisition of Simplylive.
Genelec has further expanded its UNIO Audio Monitoring Service Platform with the introduction of the 9401A System Management Device for Audio-over-IP Networking. The 9401A adds powerful AoIP connectivity to Genelec’s range of Smart Active Monitors and Subwoofers in ST2110, AES67 and Ravenna formats. With its 16 monitor outputs, the 9401A supports all formats from stereo to 9.1.6, and brings all the convenience and flexibility of multi-channel networked audio to the UNIO platform.
Why keeping control of wi-fi and other devices within a broadcast facility to ensure there is no interference with critical devices is essential.
Understanding where noise creeps in and how to minimize it are key audio skills but sometimes, inevitably, modern noise reduction tools are a lifesaver.
Set over three sites in Seoul, South Korea, Studio 26miles is a hub of sonic creativity for broadcasting, content production and local language dubbing, delivering exceptional audio quality at a pace that sets it apart. The studio’s most recent addition is a Genelec-powered immersive space with a Dolby Atmos 7.1.4 mixing room, a stereo mix room and a booth.
The technology used to create deepfake videos is evolving very rapidly. Is the technology used to detect them keeping pace and are there other approaches broadcast newsrooms can use to protect themselves?
