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This is the first of a series of three articles which examine and discuss NDI and its place in broadcast infrastructure.
The decision by Brazil’s SBTVD Forum to recommend ATSC 3.0 as the physical layer of its TV 3.0 standard after field testing is a particular blow to Japan’s ISDB-T, because that was the incumbent digital terrestrial platform in the country. China’s DTMB and 5G Broadcast were dismissed at the lab testing stage.
Monitoring is at the core of any broadcast facility, but as IP continues to play a more important role, the need to progress beyond video and audio signal monitoring is becoming increasingly important.
France Télévisions was the standout video service performer at the 2024 Paris Summer Olympics, with a collection of technical deployments that secured the EBU’s Excellence in Media Award for innovations enabled by application of cloud-based IP production.
RØDE has announced a groundbreaking production console that seamlessly combines state-of-the-art video switching, production and recording capabilities with a complete professional audio studio.
Chaos releases Ray Tracing FTW, a new short film that takes aim at the state of VFX and filmmaking — from an artist’s point of view. More than an airing of grievances, the comedic short is the first major test for Project Arena, a virtual production toolset that has now been production-proven by vets who’ve worked on Justified, Avengers: Infinity War and Dune: Part Two.
Riedel Communications has announced the launch of two new additions to its acclaimed Network Stream Adapter (NSA) series: the NSA-003A and NSA-006A. These interfaces are designed to advance IP-based audio and intercom workflows, offering unparalleled flexibility, reliability, and seamless integration for professionals in broadcast, live events, and studio environments.
HDR & WCG do present new requirements for vision engineers, but the fundamental principles described here remain familiar and easily manageable.
