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Most people with memories of analogue tape-based broadcast programme-making will acknowledge the tremendous efficiencies brought about by the advent of production servers, especially within the fields of news, sport and special events.
The short history of video is full of working videographers who solve major problems in their craft and go on to build companies to share their inventions with others in the industry. Ross Lowell of Lowel Lighting and Anton Wilson of Anton-Bauer are two well-known examples working image-makers turned inventors. Now, add Bruce Sharpe to the list.
What best selling pro audio product is used in virtually every broadcast station on the planet and daily by the President of the United States? Answer: the unidirectional dynamic microphone.
Is the rush of interest in Ultra HD a flash in the pan, or will we see complete broadcast chains from the camera to the home? If you attended NAB this year you would be forgiven for thinking that every broadcaster in the world will be moving to 4K in the next six months, such was the frenzy of new products. The move to 4K won’t happen that quickly, but Ultra HD transformations will happen in the very near future, and broadcasters and production companies should be investing sooner rather than later.
How can we maintain flawless multi-channel broadcasting and multi-platform streaming without giving operators information overload? Monitoring by exception is widely accepted as a vital capability. But to gain all its benefits, the monitoring system needs to interpret more than just the hardware and software error messages. It needs to understand what is passing through the system, too.
