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In many cities, radio stations have become the new TV stations. Radio stations gain visibility (literally), the station talent gains additional exposure and radio becomes more of a two-way experience for listeners/viewers. In addition, co-owned TV stations often do break-in interview segments with their partner radio stations as a form of cross promotion. The news casters and DJs banter for a couple of minutes resulting in good publicity for both stations.
Advances in processing power and high-performance graphics cards are affording broadcasters more possibilities than ever to devise stunning virtual sets and on-air graphics, but it is the power of data which is driving most innovation. Nowhere is this more evident than in live sports. Ratings sky rocket during major league finals or international sporting extravaganzas, increasing viewer loyalty. The graphic look of the production has become a major factor in the station’s identity and brand and sports graphics a vital component of the televised coverage.
Teleprompters go back to the earliest days of television. The idea came from an actor named Fred Barton Jr. who conceived the teleprompter as a means of helping television performers who had to memorize long dramatic scripts in a short amount of time.
With the FCC’s upcoming auctions of broadcast spectrum, wireless microphones not only face technology challenges, but political ones as well over the next few years.
Slow motion was originally a staple of motion picture production. It was a simple process — each film frame was captured at a speed much faster than it was played back. When replayed at the normal speed of 24 frames per second, time appeared to be moving more slowly.
Most audio professionals over 50 years old have lived through an era of extraordinary change. They began their careers using precision hardware-based sonic tools designed to capture and process sound in large studios with real musical instruments. Now, they can work almost anywhere on a portable computer with low-cost workstations and software plug-ins that can emulate the greatest audio technology ever invented.
In Part 2 of this series on Compression Technology we learned how Motion Vectors are generated when motion estimation is employed as the first step of creating P-frames and B-frames. In Part 3 we’ll learn how these motion vectors are used to generate Predicted Frames.
TV 2 Norway airs the program Sommertid (Summer time)as a key part of the summer schedule. This live 1-hour program runs 4 days a week for 9 weeks during the summer months. Traditionally the TV 2 Sommertid program was shot on the roof of the TV 2 facility house. For 2014, TV 2 decided it would be more dramatic and exciting if the backdrop were the bustling Oslo harbour, marine docks and restaurant area of Oslo. To facilitate this, the production set is situated on a floating pier on which local and international talent are interviewed and interweaved with live musical segments.Normally this would necessitate using an OB truck. However, OB trucks are relatively expensive and the floating- pier location meant that the OB truck would have to be at least 300 meters from the cameras, adding a great deal of cabling leading to higher complexity and set-up and running costs. Norwia were able to provide a fiber solution to connect the remote at Oslo harbor with the studio 5km away at TV2 TV centre.
