RTS equipment has played a key role in supporting RTV Drenthe with its recent infrastructure upgrade. The project has seen the TV station enhance its broadcast setup to become IP compliant and compatible with the SMPTE ST 2110 standard. A key factor in achieving these goals has been a new intercom solution featuring RTS intercoms at the heart of the system.
This article describes the various AES, MPEG, Proprietary and Open Standards that pertain to audio.
This is a more comprehensive list of the AES Standards & Recommended Practices, AES Information Documents and AES Project Reports.
This Essential Guide introduces and explores the concept of Network Observability. For any broadcast engineering team using IP networks and cloud ecosystems for live video production, it is an approach which could help combat a number of the inherent challenges of using such dynamic systems.
Chyron has announced the release of PAINT 9.6, the newest iteration of the company’s renowned telestrated replay and sports analysis software. A wealth of updates in PAINT 9.6 enable even more flexible and dynamic sports analysis live on air, with tracked and tuned telestration clips and richer effects, plus UI and workflow enhancements that support a faster and more streamlined sportscasting workflow.
The team at NFL Media share invaluable insight into the truly huge AoIP comms system at their Hollywood Park production center.
Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the creative project manager and its crucial place in the techniques and technology of live sports broadcast production.
You may also deploy non-SMPTE standards such as AES, MPEG and others in your workflow architectural design.
