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KVM is more important now for broadcast-IP systems than it ever has been. As manufacturers turn to server based architectures private cloud installations have become more mainstream, requiring us to configure systems through traditional server control inputs, that is keyboard, video and mouse.
In this era of mobile podcasting, reporters often have to record interviews anywhere — in noisy coffee shops, on trains or on campaign buses. Getting clean audio for two or more people quickly on the go can be a challenge if the interviewer is not prepared for it.
Active noise reducing headphones are avoided by professional sound engineers, while passive designs are used. Why is this?
Immersive audio may be driven by virtual reality, but its arrival opens far more possibilities, including a re-birth of the “theatre of the imagination.”
Basic audio processing for narration is so mature that it now free or costs very little. Though it’s easily accessible to anyone, how many recording audio know how to use it?
It’s another election year and hundreds of candidate speeches will be recorded by news reporters and campaign operatives on the stump. Some will be recorded on video on smartphones and others on audio recorders. Virtually all reporters are dependent today on the internet to connect with homebase. But what happens when the net fails?
Automatic microphone mixing, long a staple of commercial sound installations, has moved to professional dialogue recording for film and television production. This is the story of that journey over the past half century.
In today’s highly competitive television broadcast landscape, the on screen presentation of a broadcaster’s programming can mean the difference between ratings success and failure. That’s why many have embraced virtual sets as a cost-effective way of improving their on-air look by either replacing an existing physical studio set or expanding the studio space without physical building any new walls.
