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Every year the NFL Super Bowl creates a level of excitement uncommon for most sporting events and this year’s event was no exception. The broadcast provided viewers with a dazzling Lady Gaga half-time show and the stunning and record-breaking, come from behind 34 – 28 win by Tom Brady and the New England Patriots.
As the majority of loudspeaker drive units in use today are electromagnetic, John Watkinson thinks it appropriate to say something about the subject.
It has long been an open secret in video production: great sound is far more important than the quality of the images. Surround, or even stereo audio, can dramatically improve an average quality picture on virtually any kind of programming — from news and documentary to feature films.
Whenever doing a professional voice recording, de-essing — the reduction of excessive sibilant consonants — is often a persistent issue. There are many techniques to get rid of this offensive sound from recordings of the human voice.
New IT-based technologies have been adopted more readily and sooner in some parts of the broadcast production chain than others. Super Bowl LI illustrated that with the intercom and general communications operation taking place almost completely in the IP domain, using a combination of Dante running over RTS’ OMNEO platform, while audio distribution and networking continued to rely on older formats such as MADI.
Often called “walk-and-talk” recording, videographers are often confronted with recording the audio of subjects in their workplace or during an interview with two or more people walking in full motion. Here’s how to insure excellent audio.
In the previous Cloud Broadcasting article, we looked at Agile software development and its relevance to cloud computing. In this article, we delve further into Cloud-Born systems and investigate the differences between public and private clouds and where you might want to use them.
When recording live audio with a dynamic microphone, a good recordist may want to know what is the maximum sound pressure level that mic can handle without distorting. As with many such seemingly basic questions in audio, the answer is not so simple.
