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New users of wireless microphones will quickly find they are far more convenient than wired systems. But users also learn there are far more things that can go wrong with wireless systems. Here are some basic rules to stay out of trouble.
A microphone splitter is an item in the sound engineer’s kit that is appreciated only when it is needed. But when a microphone must be simultaneously fed to a second mixer, a professional-quality splitter is worth its weight in gold.
In the previous Cloud Broadcasting article, we looked at the business case for public clouds. In this article, we delve further into Cloud Born systems and go deeper into cloud security.
The live events industry has grown dramatically. Driven by audiences for smaller sports, new viewing behavior and the opportunity for new revenue. As broadcasters face increasing competition from new media players such as OTT distribution and streaming, both stations and networks are looking for ways to bring these live events to their audiences in a cost effective manner.
On occasion, broadcasters must do remote projects that require both over-the-air and live amplified sound simultaneously. In these cases, doing a good job with both is as much an art as science. Here are some guidelines to consider when faced with such a project.
Video producers should seek the best sound quality possible. But when it comes to choosing a sample rate for recording digital audio for video, is higher sampling better? The answer might be surprising.
After more than two years of technology development, subcommittee discussions and field tests, on February 23rd the Advanced Television Systems Committee (ATSC) recommended that North American broadcasters choosing to migrate to the next-generation ATSC 3.0 specification use the Dolby AC-4 codec for OTA transmission. The Dolby system was up against a group of companies that have developed a competing system known as MPEG-H Audio
As a sound recordist, you probably know about basic equalization, or EQ. It is found on most audio mixers today. But do you understand parametric EQ — the more precise form of equalization? If not, you should.
