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There are any number of media conventions, conferences, trade shows and technical meetings across the world, but before last year there was only one technology retreat, HPA.
What’s old is new again. An ironic confluence of interrelated events — one that brought ribbon microphones to the front and center of broadcasting in the 1930s and to seemingly lose favor in the 1960s — is back again after 85 years.
Point to point connections with well-designed standards have given broadcaster engineers piece of mind for many years, knowing when they connect one AES-3 audio output to an AES-3 audio input, the two will connect seamlessly and audio will pass without incident. The same can be said of MADI and analogue twisted pair. Signal routing is easy to follow using numbered cabling and system diagrams.
Broadcast is a whole new world. With OTA being challenged by OTT, streaming and new viewing platforms. Traditional broadcasters need to incorporate new state-of-the-art systems in their facilities if they want to survive.
As broadcasting moves to highly efficient production lines of the future, understanding business needs is key for engineers, and recognizing the commercial motivations of CEOs and business owners is crucial to building a successful media platform.
Snell Advanced Media (SAM) has announced that Broadcasting Center Europe (BCE) has gone live with its end-to-end IP infrastructure at RTL Group’s new Luxembourg headquarters, RTL City.
When taking stock of the VR ecosystem, it is clear that the commitment to driving the sector towards eventual success is as strong as ever.
Today’s cameras can provide more dynamic range than ever before and video editors need to be sure their equipment protects that quality. In this Lightworks 14 tutorial, Steve Mullen shows editors how key production tools can monitor the dynamic range of captured video throughout the process.
