Today, as video crews get smaller and are often only one-person, audio inevitably suffers. Many times no one even monitors sound on a location shoot. For proof of this, watch any local newscast and listen to the sound. Of course, bad sound is usually preventable if the videographer takes minimum steps to prevent it.
One of the most useful technological advancements for conducting interviews is Skype. Call anywhere in the world and — in most cases — get a clean audio and video feed that can be used on-the-air, in a documentary or on a podcast. A frequent question is how does one record a Skype call.
Since the beginning of audio production, engineers have used full-sized headphones and speakers to monitor sound. Then in-ear monitors came along. At first, they were used by musicians on-stage. Now in-ear monitors are so good, many engineers use them for studio monitoring.
Amidst swirling competition and a need for new revenue, radio personalities have expanded their audiences and their reach by installing video cameras in their studios and broadcasting from remote sites related to their genre’s scope. This has been particularly true of sports talk radio shows, which use major sporting and entertainment events to draw their listeners in. They have also invested heavily in live remotes to attract attention.
When you turn up the gain on virtually any microphone preamplifier, it sounds noisy. Why is this? Before you blame the amplifier, let’s look more closely at this common phenomenon.
The Human Auditory System evolved as a survival tool and one of the vital functions of hearing is to establish where a source of sound is located. The oldest aspects of human hearing, from an evolutionary standpoint, are those concerned with direction. As we determine direction in everyday sounds, it is not unreasonable to think that direction information in reproduced sound is important to realism.
The World Teleport Association (WTA) has released Teleport Opportunities 2018, a new research report surveying teleport executives on market opportunities and obstacles to growth, investment, hiring and technology plans.
Since the beginning of broadcasting, announcers and narrators have spoken closely to microphones to boost the gravitas in their voices. They use proximity effect to sound richer, fuller and more intimate than they might naturally sound. But when they get too close, the result can be plosives. Here’s how to avoid them.
