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The World Teleport Association (WTA) has released Teleport Opportunities 2018, a new research report surveying teleport executives on market opportunities and obstacles to growth, investment, hiring and technology plans.
Since the beginning of broadcasting, announcers and narrators have spoken closely to microphones to boost the gravitas in their voices. They use proximity effect to sound richer, fuller and more intimate than they might naturally sound. But when they get too close, the result can be plosives. Here’s how to avoid them.
It is very tempting to take a laptop computer on location for live recording. It can work fine — until it doesn’t. Laptops, by their very nature, are more fragile and prone to failure than other recording devices. Be careful that you’re not the victim.
If you’re like me, making sense of evolving computer standards like Thunderbolt 3 and USB-C is confusing. These standards seem to change often and sometimes when plugging things in that ought to work, they don’t work at all. It’s all in the details. Here’s an overview of where we stand.
If UHD is going to become a mainstream broadcast medium, we’ll need to be able to monitor, edit and review it. But can we?
With ATSC 3.0 poised to change the broadcast industry’s basic signal, we need to understand this signal is poised between HD and true 4K.
The impact of IP on the design of broadcast equipment and infrastructures is profound. Many broadcasters are replacing existing analog, AES3, MADI and SDI ports with a new class of interface for connecting to standard IT switch infrastructure, together with new control mechanisms for connection management and device discovery. In the process, they’re embracing an emerging set of open standards for interoperable, vendor-neutral signal transport.
AlphaDogs is one of the west coast’s premiere post houses, but even they find the prospect of creating UHD projects challenging.
