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For most of us, the era of the recording studio is long over. Voiceovers for broadcasts, podcasts and narration are now mostly done in homes, offices and other make-shift locations. It’s a new world that requires a special engineering skill set to create professional voiceovers from any location.
Content producers often prefer to shoot or record original content. Documentarians, on the other hand, typically must rely on material recorded by others that is often stored on film stock, Regular 8mm and Super 8mm being common formats. Working with older technology is a challenge requiring special techniques.
During the Broadcast Engineering and Information Technology Conference (BEITC) at this year’s 2018 NAB Show, an all-industry seminar will look at the challenges and practical benefits of REMI (remote-integration model) operations.
IP networking is taking the radio and broadcast industry by storm, but as a method of distributing data, it has been available since the 1970’s. So, what are IP Networks? And why have they become so popular recently?
Consumers in the digital age are quick to adapt new media consumption habits as new media and methods of accessing it and interacting with it evolve. Every media technology must innovate and compete or become obsolete. For broadcast television, this challenge is practically existential. The broadcast model of one-to-many for television (and radio) dominated the second half of the 20th century. But the introduction of cable and satellite TV and the Internet enabled not only a direct one-on-one relationship between a media source and consumers but tailored personalized services and offerings that bolster “stickiness” or loyalty.
Broadcast television is the point where the creative arts and technology meet. It’s different from any other discipline as to operate at an optimum level, and get the best possible quality, artisans, producers, and creatives have a deeper technical understanding of their craft than any other artistic discipline. And over the years, the demarcation between creativity and technology has become blurred as members of the creative teams have found themselves delving deep into engineering disciplines.
When setting up new audio monitors in a studio, their placement is an important choice in the successful operation of the monitoring system. Since no two rooms sound the same, here are a few tips to make the installation easier.
Due to advances in IP content delivery and production crew collaboration, new virtual tools are augmenting the connected studio. Broadcasters are now able to customize studios and workflows with virtual interfaces that talk directly to anything that touches the IP audio network. They’re replacing hardware newsrooms with virtual mixers, mobilizing the studio using tablets and other virtual interfaces in the field, and scripting their own version of what broadcast looks and feels like.
