Looking to take advantage of distribution and cost benefits, many broadcasters have expressed an interest in migrating to full IP infrastructures. However, if you’ve got a full complement of baseband equipment and workflows that your team is familiar with, it might not be practical to attempt a complete overhaul in a facility.
Most novice videographers can plug a microphone into a mic jack and get a reasonably good audio signal. However, at times, many get noise, distortion or an unusably low audio level. That is usually caused by mismatch in audio connection types.
With a sharp focus on IP-based operations and the impact they have on a variety of broadcast operations and workflows, broadcasters are operating in one of the most dramatic periods of technological change that the international broadcast industry has ever experienced.
IP offers the hope of cutting the cost of production if you know how to move the signal around using inexpensive equipment.
At the SMPTE 2018 Technical conference, Dr. Takeshi Shimizu, Media Links, presents a revolutionary new theory about constructing a three-stage Clos network with non-blocking multicast capability.
Patrick Griffis will become president of SMPTE next January. He offers a forward look at the challenges ahead for the organization.
HDR has dazzled us for some time. But there are instances where SDR may actually tell the story better.
The Entertainment Enablement session at SMPTE 2018 presented a wide spectrum of technologies that could enhance time spent in the driverless cars of the future.
