New England Patriot quarterback, Tom Brady, entered Mercedes Benz stadium in Atlanta, GA on February 3rd having already won five Super Bowl games. And through four-quarters of play, all delivered by a television crew of hundreds of technicians, sports casters and engineers, about 100 million television viewers watched Brady add another victory to his historic play by setting the record for the most Super Bowl victories by any player in the league, now totaling six.
This FREE to download eBook is likely to become the reference document you keep close at hand, because, if, like many, you are tasked with Preparing for Broadcast IP Infrastructures.
Supported by Riedel, this near 100 pages of in-depth guides, illustrations, diagrams and workflows, covers all the key elements you need to be aware of. PLUS real end user case studies from the broadcast and media industries. Although the subject of IP is highly technical, and the detail can be arduous to absorb, Tony Orme has managed to balance delivering the hard core technical information required, with insights and anecdotes gained from designing, managing and delivering large broadcast to IP transition projects himself.
Voiceovers today are recorded anywhere — from remote news locations to acoustically-treated sound studios. How one sounds in a voiceover, whether as a news reporter or a professional narrator for documentaries, determines the commercial success of the performer. Beyond the technical set-up, there are some tips that every one that does voiceovers should follow.
In a world of 10-fold increases in complexity automation is the key to survival. Not just automation, “service orchestration” is the new approach needed to manage internal and external hardware and software in order to make the best use of in-house resources and leverage third-party providers.
As broadcasters continue to successfully migrate video and audio to IP, attention soon turns to control, interoperability, and interconnectivity to improve reliability and efficiency. In this article, we investigate IP control as we move to IP infrastructures.
Mix bus processing is using EQ, compressors and limiters on the output bus of an audio mixer. It can be stereo or mono, real or virtual and is used on the entire audio mix. These processors are used to “glue” the mix together, to make it punchier and to fix any overall frequency imbalances.
While the consumer electronics industry focuses on bigger displays and ever higher resolution, there are pioneers developing a more compatible technology, augmented reality television. How close is it and what are the benefits?
Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his disposal, augmented reality graphics on the field and virtually every part of the playing field mic’d up.
