Noise has always been the enemy of audio recording. When digital recording became dominant, many of us thought noise was in the past. Sure, we got rid of tape hiss and others kinds of analog noise, but in the digital world we still have noise left. Here are some of the culprits.
In this new series, it will be seen that color is a complex subject and all the more so for being multidisciplinary. The difficulty with such a large subject is that it is hard to leave things out when they are so fascinating.
Immersive audio has the great potential to transform our human listening experience, captivate our imagination, and inspire our inventiveness.
“Agility and flexibility” are the mantra of the new broadcast paradigm. Audio has always been the trailblazer for new technology, it was first to go IP and first to provide software solutions. But where is the next generation of audio taking us?
The movement behind 8K has gained momentum and met growing resistance at the same time as it attempts to break out from its Japanese roots after being nurtured for over a decade almost single handedly by NHK.
ChyronHego rocked the NAB Show 2019 with a whole new approach to Virtual Sets, and a revolutionary use of a telestrator not just as a second screen, but as a second primary sports entertainment channel.
It is well known in music recording that great records have a unique signature sound. Engineers acquire a variety of classic audio gear and select the right combination to create a unique sounding recording. But any audio recording can have a signature sound — from simple voiceovers, news reports, podcasts to documentaries. This is a look at how to achieve that sound.
Moving to IP opens a whole plethora of options for broadcasters. Engineers often speak of the advantages of scalability and flexibility in IP systems. But IP systems take on many flavors, from on-prem to off-prem, private and public cloud. And then there is virtualization.
