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Whenever I’m asked about my opinion on the transition to IP, I always state that the impact can’t be appreciated until its history is understood. This brings into context the need for broadcasters to educate and surround themselves with those who have in depth knowledge and understanding of the subject.
Immersive audio transforms the listening environment to deliver a mesmerizing and captivating experience for a wide range of audiences and expansive group of genres.
The human visual system (HVS) sees color using a set of three overlapping filters, which are extremely broad. As a result, the HVS is completely incapable of performing any precise assessment of an observed spectrum.
In the lingo of microphones, we often use imprecise words to describe sound. The audio from ribbon microphones is frequently called “dark.” Condenser microphones may be called “bright.” But what do these subjective terms mean?
In this era of personal video and sound recording, it might sound ridiculous to say that many people don’t know how to properly use a microphone. But it’s true. Whether spoken word or a vocalist singing, learning some basic microphone techniques can significantly improve results.
With all the high-tech wizardry available today to manipulate sounds in the studio, microphone placement reigns as the most important way to get quality audio recordings. With the right placement of mics, most other electronic sound tools are not needed. Yet, not enough engineers, producers and artists understand the value of this art.
Wild variations in the levels of program audio has long been a problem for broadcast outlets. Due to controversy over varying audio levels, governments have forced broadcasters to specify specific loudness levels for all programming. In this article, we’ll look at how audio has moved beyond traditional types of level monitoring to a new method.
Reading spec sheets for microphones these days can make one’s eyes gloss over. So much is so similar. Yet, we know each mic sounds a bit different, which is where subtle creative differences come into play. One especially mystifying spec to many is whether or not a mic has a transformer. What does a mic transformer do and is it better with or without one?
