Video and photography — on major display at recent year-end trade shows in New York City — have leap frogged into powerful AI technology, putting extraordinary powers to manipulate images into the hands of the masses.
Part 7 in our series from ‘Real World IP’, a one-day seminar event from The Broadcast Bridge held at BAFTA in London, culminates with the five speakers joining on a panel moderated by Tony Orme, Editor at The Broadcast Bridge.
Sennheiser introduces its new and innovative approach isolating audio objects in live sports broadcast production with the power of beamforming.
We all understand what it means when someone says a video went viral. It typically means a person used a mobile device to record an event and posted it to any number of social media websites. How does that have anything to do with professional broadcast and production?
With 6K acquisition becoming more common, you may be considering getting ahead of the editing curve by upgrading your computer system. Likely you’ll want a hot system based upon one of the new AMD or Intel 6- or 8-core microprocessors. As the saying goes, be careful what you wish.
It is almost a hundred years since the color space of the human visual system was first explored. John Watkinson looks at how it was done.
In the first part of this four-part series we described the basic principles of the Precision Time Protocol. In part two, we investigate PTP redundancy, specifically for media networks.
Part 6 in our series from ‘Real World IP’, a one-day seminar event from The Broadcast Bridge held at BAFTA in London, Norbert Paquet, Head of Product Management – Sony Europe, discusses system architectures, network control, and the business benefits of IP.
