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Each year, as the TVs in our homes grow larger and brighter, DOPs have to wonder how this will affect our craft and the integrity of our images. As it is, HDR is touted as a kind of industry panacea, addressing in an orderly way (more or less) the vastly improved color, highlight detail, and dynamic range, in the latest sets.
HDR offers unbelievable new opportunities for broadcast television. Not only do we have massively improved dynamic range with the potential of eye-watering contrast ratios, but we also have the opportunity to work with a significantly increased color gamut to deliver vivid and highly saturated colors.
Lawo’s Christian Struck looks at the potential for production automation in immersive sports broadcasting, and how it can help move towards a personalized, object-based experience.
At the recent IBC conference, vendors were showing ST2110 compatible products. The IP pavilion was there to demonstrate how it all works nicely together, all interoperable, etc. There were sessions to introduce and provide the information and knowledge to implement ST2110. And a few announcements about new facilities and mobile units all IP based on ST2110.
Genelec Senior Technologist Thomas Lund moves the monitoring discussion on to the practical considerations for immersive audio, wherever you are.
Video and photography — on major display at recent year-end trade shows in New York City — have leap frogged into powerful AI technology, putting extraordinary powers to manipulate images into the hands of the masses.
Part 7 in our series from ‘Real World IP’, a one-day seminar event from The Broadcast Bridge held at BAFTA in London, culminates with the five speakers joining on a panel moderated by Tony Orme, Editor at The Broadcast Bridge.
Sennheiser introduces its new and innovative approach isolating audio objects in live sports broadcast production with the power of beamforming.
