Dante audio networking is now well known in the broadcast industry. It is used by over 2100 products from more than 430 manufacturers, and is used in installations that range from broadcast studios and OB vehicles, to stadiums and recording studios, radio stations to schools and conference rooms.
As in the past, this year’s annual gathering of the Video Services Forum will host an all-industry interoperability demonstration of the latest technologies for transporting video and audio over IP networks. This highly anticipated event will take place during VidTrans 2020 which will be held at the Marina del Rey Marriott in Los Angeles, Calif., February 25 to 27.
I often shoot video of bands in front of live audiences. It never ceases to amaze me how many performers ignore the rules of good microphone technique. They literally “eat the mic,” creating not only terrible sound quality but making it impossible to get decent images without the mic blocking their face.
Development of new technology and moving to the newly available 5GHz spectrum continue to expand the creative and technical possibilities for audio across live performance and broadcast productions.
The IP Showcase is a highly anticipated event at the NAB Show in April that annually brings together a myriad of companies with complementary IP technology that spotlights “real world” applications using third-party products. Attendees like it because they get a hands-on look at how IP infrastructure can be set up and managed.
There’s a terrible tendency in cinematography to concentrate too much on the technology, overlooking creative skills that often make a huge contribution. In the last two pieces of this series we’ve gone into some detail on the historical background to current camera technology. In this last piece on the art and science of sensors and lenses, we’re going to consider what difference all this makes in the real world.
Super Bowl may not be the most watched sporting event in the world but remains a showpiece for US broadcasting where the latest technologies and innovations in coverage are displayed.
When Genelec’s GLM software began development about 20 years ago, many customers simply took their new audio monitors out of the box, plugged them in and started using them. They often didn’t even set the dip switches or consider proper set-up. With this situation, Genelec knew it had a problem.
