In part-1 of this three-part series we discussed the benefits of Remote Production and some of the advantages it provides over traditional outside broadcasts. In this part, we look at the core infrastructure and uncover the technology behind this revolution.
OTT delivery continues to expand to meet the relentless growing consumer demand. This trend shows no chance of abating and technologists are continually looking to innovation to scale infrastructures accordingly. But what does it mean to scale OTT? Where is the infrastructure? And who owns it?
Due to the medical emergency the country now finds itself in, this year’s NAB Show in Las Vegas was postponed to later this year. If it had happened, the main themes of artificial intelligence (AI), high dynamic range (HDR) acquisition and remote production would have all been front and center, but several other technologies that bring new efficiencies in studio production and content distribution would’ve also been spotlighted.
Since its adoption for NTSC, essentially every subsequent electronic distribution means for color images has relied on color differences, making it a topic of some importance.
Recent international events have overtaken normality causing us to take an even closer look at how we make television. Physical isolation is greatly accelerating our interest in Remote Production, REMI and At-Home working, and this is more important now than it ever has been.
Superficially, level seems to be a simple subject: just a reading on a meter. In practice, there’s a lot more to it. Level matters because if it is wrong, sound quality can suffer, things can get damaged or cause interference and listeners complain because they have to keep adjusting the volume.
NAB 2020 will not be rescheduled this year, the NAB has announced. Instead, the organization will begin NAB Express in April, an online initiative, and will enhance the NAB Show New York at the end of the year with additional programs and expanded participation.
There is a simple way — without spending a lot of money — for small scale video producers to gain a significant advantage in production value over many broadcast competitors. It involves audio — the part of every video production that offers the highest impact with viewers.
