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This second part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to exploring the NDI Tools and what they now offer broadcasters.
Entain New Zealand, via Professional Audio & Television, has announced the procurement of ARISTA switch fabric and Lawo COTS-based HOME processing apps, alongside Lawo .edge hyper-density SDI/IP conversion and routing hardware.
FOR-A has provided the key technology for a new outside broadcast unit commissioned by Production Crew.
Welcome to Part 2 of ‘HDR & WCG For Broadcast’ - a major 10 article exploration of the science and practical applications of all aspects of High Dynamic Range and Wide Color Gamut for broadcast production.
Part 2 discusses expanding display capabilities and camera technology, alongside the creative benefits and production challenges HDR & WCG bring.
Why doesn’t everything “just work together”? And how much better would it be if it did? This is an in-depth look at the issues around why production and broadcast systems typically don’t work together and how we can change that. If we do, there are untold benefits.
This 11 part series by John Watkinson looks at the scientific theory of microphone design and use, to create a technical reference resource for professional broadcast audio engineers. It begins with the basic principles of what a microphone is and does.
The LED wall is far more than just a backdrop for the actors on a virtual production stage - it must be calibrated to work in harmony with camera, tracking and lighting systems in an interdependent array of technology.
Building on the success of their predecessors, the new MKIIs elevate USB-powered interface performance to new heights whilst adding features which help both professionals and those just starting their creative journey. Solid State Logic has remained at the forefront of music and audio production technology for over 50 years, and the new MKII USB audio interfaces are a testament to their heritage and understanding of what matters in music production.
