Recent Content

Magic Bullet Adds MacOS Big Sur And Final Cut Pro Support February 18th 2021 - 11:00 AM

Magic Bullet has added MacOS Big Sur and Final Cut Pro support to its Suite 14 of tools for color correction, finishing and film looks, originally unveiled in November 2020.

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Telestream 2110 IP Monitoring Helps CCTV Launch Live 8K Ultra HD Channel February 18th 2021 - 09:00 AM

Telestream helps Chinese State Broadcaster, CCTV prepare 8K UHD as production format for Beijing Winter Olympics.

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ChyronHego Launches Three New Brands And Reclaims Legendary Chyron Name February 17th 2021 - 11:00 AM

The Chyron, Hego, and Tracab brands will serve distinct markets while operating under a single corporate umbrella.

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Lawo’s VSM Controls IP Infrastructure At Asharq News February 17th 2021 - 09:30 AM

Asharq News excels in the media industry of the MENA region utilising IP infrastructure controlled by Lawo’s VSM Virtual Studio Manager broadcast control system.

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Solving IP Routing For Broadcasters: Part 1 - Enabling Software Control February 17th 2021 - 09:00 AM

SDI and IP differ fundamentally in their approach to data transport as SDI is circuit switched and IP is packet switched. This provides interesting challenges for us as we start to consider what it means to route IP signals.

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Transitioning to Broadcast IP Infrastructures; Part 1 – Initial Planning and Scoping February 16th 2021 - 12:05 PM

Our first Essential Insights is a set of three video episodes in which we discuss transitioning to IP with industry experts. We explore the fundamental challenges during the planning stage. The decisions that need to be made, and the long-term thinking needed to maintain flexibility, scalability and resilience. 

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NRCS plus Vizrt graphics.

Vizrt Newsroom Available Through Vizrt’s Flexible Access February 16th 2021 - 10:00 AM

Vizrt Newsroom is one of five software Solution Suites made available through the company’s Flexible Access scheme.

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Digital Audio: Part 8 - Sampling Rates February 16th 2021 - 09:00 AM

The best sampling rate for digital audio is easily established by considering the requirements of the human auditory system (HAS), which is the only meaningful arbiter. Provided that the bandwidth of a digital audio system somewhat exceeds the bandwidth of the HAS, that should be enough.

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