PlayBox Neo expands the software connectivity of its ProductionAirBox Neo-20 broadcast playout server, with support now provided for the Octopus Newsroom computer system.
Video, audio and metadata monitoring in the IP domain requires different parameter checking than is typically available from the mainstream monitoring tools found in IT. The contents of the data payload are less predictable and packet distribution more tightly defined leading to the need to use specialist media stream centric monitoring tools.
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Speculative fiction is something that’s often hovered on the borders of drama, fantasy and sci-fi, and one of the huge benefits of the streaming media revolution is that much more of the genre has found a way in front of both a camera and a large audience.
As the post-Covid era approaches, Gravity Media says it is now ready for the future of editing and a noticeable shift towards a hybrid working model.
To provide creators with a tool to explore their sonic horizons, Sennheiser has launched the new MKE 400 – a highly directional compact shotgun microphone that brings compelling audio to DSLR/Ms and mobile devices alike.
A recent Lawo remote activities case study notes, “It should be obvious by now that remote operation has been seriously underrated. For some, it allows to save substantial amounts of money, while others will appreciate the time gained from not having to travel.”
Company Owner Fred Vogler relies on a combo of new and existing sound files recorded with DPA’s 4091 Omni Condenser and 4560 Binaural Mics and MMA-A Interface.
Studios Piccolo, the largest recording facility in the province of Quebec, upgraded one of its Piccolo Mobile remote production trucks in January with the installation of a Solid State Logic System T networked broadcast audio platform. The truck’s new System T comprises a 48-fader S500m compact and lightweight mobile modular control surface, twin redundant Tempest T80 engines, supporting up to 800 signal paths, and a 16-fader Remote Tile.
