Also launching today is the Viz Artist in Residence program, initiating the search for the world’s greatest Viz Artist designer.
Autodesk unveiled more than 40 improvements to Flame intended to simplify the artist’s day-to-day and boost creative collaboration. Building on machine learning (ML) capabilities that address specific tasks in Flame, this update brings ML to Flame’s core toolset in the form of camera tracking technology.
Maxon, a developer of software for motion designers and visual effects artists, has released an update to its Moves by Maxon package for iOS devices.
HDR is taking the broadcasting world by storm. The combination of a greater dynamic range and wider color gamut is delivering images that truly bring the immersive experience to home viewers. Vibrant colors and detailed specular highlights build a kind of realism into broadcast productions that our predecessors could only ever have dreamed of.
While many professionals have come to understand how to configure IP-based infrastructures to handle the distribution of audio and video files, managing specific devices on the network has been extremely complex, at best. Recognizing this, Lawo has developed a new software management platform called Home that makes it easy to set up, manage and benefit from the flexibility, scalable nature and signal-agnostic design that comes with IP infrastructures.
With advanced Dolby Atmos and IMF capabilities, Rohde & Schwarz strengthens R&S CLIPSTER brand as high-quality content creation platform for cinematic, episodic TV and home entertainment markets.
Colombian television network Caracol has relied upon intercom solutions from RTS for the last 20 years, starting with ZEUS matrices and evolving over time into their current state-of-the-art system setup, which includes ADAM and ODIN digital intercom matrices, KP-Series keypanels, ROAMEO DECT-based wireless beltpacks, and now VLink – a unique virtual intercom solution.
We’ve heard the hype, and I admit I’ve contributed my fair share. The iPhone is able to capture impressively sharp, high-resolution images that stand up to critical examination even when magnified and viewed on a 20-meter cinema screen. The iPhone’s onboard software compensates for the most egregious image defects, applying on-the-fly color correction, noise reduction, and broad optical compensation that eliminates chromatic aberrations, barrel distortion, and a host of other things, from what is, after all, an exceedingly modest lens.
